By Thanassis Cambanis
Thanassis Cambanis, a fellow at The Century Foundation, is the author of the forthcoming “Once Upon a Revolution: An Egyptian Story.” He is an Ideas columnist and blogs at thanassiscambanis.com
An architect’s plan to revive a cosmopolitan dream of the Middle East
BEIRUT — As a symbol of a lost era in a region full of them, Beirut stands apart. For generations it thrived as a center of culture, commerce, and education, until the 16-year Lebanese civil war fragmented the city’s diverse population and shelled its vitality into rubble.
The war ended in 1991, and today Beirut is mostly peaceful. Some of its glamour and wealth have started to return. Dazzlingly dressed Lebanese fill gallery openings; boutique wineries do a brisk business. Glass towers have sprung up around the new marina.
But in many ways, Beirut is still a failed city. Hobbled by ubiquitous corruption, rampant criminality, and the legacy of sectarian militias, Beirut still doesn’t have any of the basic amenities of urban life, like traffic police, a planning board, even a functioning sewer, water, or electrical system. It is no longer a business capital; the money on display here was mostly made somewhere else. The war-shattered UNESCO building squats in the heart of the city like a crash-landed spaceship. To the west, two shell-pocked skyscrapers mark the horizon, both them uninhabited since the civil war broke out in 1975.
Most obviously, Beirut needs to attract investment and solve its infrastructure problems. But to truly revitalize the region, it will need to do more than that: It will need to recapture the cultural energy that long marked Beirut as the intellectual capital of the Arab world. A small city that welcomed big thinkers, it was historically home to writers, philosophers, political dissidents, artists, and other creative types from around the region. That, more than any of the trappings of wealth and celebrity, made it a beacon.