TheGuardian, by John Brunton – Despite being in a conflict zone, Beirut is somehow rising like a
phoenix from the ashes. The past 12 months have seen the reopening of
the Sursock Museum,
a contemporary art gallery supervised by renowned French architect
Jean-Michel Wilmotte, and the inauguration of Aishti, a cutting-edge art
foundation that rivals the Punta della Dogana in Venice. In September,
the doors will open to Beit Beirut (beitbeirut.org), a museum and arts centre dedicated to the memory of decades of conflict.
It’s housed in an imposing neo-Ottoman villa on the former “green
line” between Muslim and Christian Beirut and served as a sniper bunker
during the civil war. Its crumbling, half-destroyed state has been
deliberately preserved, complete with bullet holes and shell pockmarks.
Youssef Haidar, the architect of the project, says: “The new museum will
hopefully be a step towards replacing the mass amnesia here for what
has happened in the past, so that we can come to terms with our
uncertain, but promising and wishful future.”
These new museums are just a small part of what is happening in the
Lebanese capital. While the guidebooks talk up luxury hotels and haute
couture in the restored downtown area, a host of bars and restaurants,
local designer boutiques and art galleries are popping up in the more
bohemian neighbourhoods of Mar Mikhael, Badaro and Gemmayzeh.