By DONNA ABU-NASR, Associated Press Writer , BEIRUT, Lebanon – Her voice brought together under one roof both supporters of the beleaguered government and opponents trying to topple it. Yet in this tense country, sharp disputes break out even at a performance by Fairouz, Lebanon’s premier diva and the star of a musical about a corrupt government. Last weekend’s three-night run of "Sah el-Nom," loosely translated as "A Good Night’s Sleep," was supposed to open an annual summer festival in the ancient city of Baalbek. Israel’s July-August offensive on Lebanon forced organizers to postpone until December, hoping that by then calm would prevail.But opening night coincided with a new crisis that many fear could tear apart the country
That appeared to still be the case.
After the show, each side in the audience claimed the heroes as their own and insisted the villain personified the leaders of the opposite camp. The musical is an allegory about corrupt leaders last performed in Lebanon 30 years ago.
"Sah el-Nom" was staged for the first time in 1970, playing for only a few days before the death of Egyptian President Gamal Abdul-Naser, an Arab icon, forced producers to cancel it.
The play, laced with the foot-thumping traditional dabke dance, tells the story of a lazy and autocratic ruler who wakes up from a deep sleep only when the moon is full. He listens to petitions from his subjects and forces them to give him bribes and services, then grants only three petitions each time — stamping them with his seal — before returning to his slumber.
The heroine, Qoronfol — Arabic for "carnation" and played by Fairouz — steals the ruler’s seal, the symbol of his power, and stamps petitions freely. She then throws the seal down a well.
After she’s found out, she retrieves the seal. Instead of carrying out his threat to punish her, the ruler — chastened by her act — makes her the keeper of his seal during his sleep.
The two-hour musical resonated with the highly politicized audience.
For Hezbollah sympathizers, the story reflected what they see as the ineffectiveness and unfairness of Saniora’s government. Government backers, however, saw it as a depiction of the empty promises and the allies of Syria, which dominated Lebanon for decades.
"The theme of the play corresponds with what’s going on today," said Marlene Khalil, a 42-year-old computer specialist who had taken part in the pro-Hezbollah sit-in hours before the performance. "Those in power, like the ruler in the play, are always a target of criticism."
But Hayek, the carpenter who was sitting right behind her, said he is a big supporter of the government and the ruler in the play "is just like the leaders" of the other camp.
The musical ended with a thunderous standing ovation that almost succeeded in making the audience forget the turmoil in their country.
But as they switched on their cell phones while streaming out of the hall, many received calls from worried family members who informed them that a Shiite protester had been killed in a shooting in a Sunni neighborhood and that they should hurry home for fear of revenge acts.
Even audience member Michel Hayek, Lebanon’s most famous psychic — who several months ago predicted there would be a wave of protests and an attempt to overthrow the government — did not have a word of comfort for the Lebanese who had showered him with questions about the situation.
"It’s as if it’s Lebanon’s fate to suffer and the fate of its people to remain fragmented," he said.
