Story by Ahmed Vahdat — telegraph.com — Iran is reviewing a decades-old law that requires women to wear a hijab, as authorities struggle to quell protests over the dress code that have been ongoing for more than two months. The hijab has become the subject of daily protests since the death of Mahsa Amini in police custody after she was reportedly arrested for wearing her headscarf incorrectly – Twitter President Ebrahim Raisi said on Saturday in televised comments that Iran’s republican and Islamic foundations were constitutionally entrenched, but that there were “methods of implementing the constitution that can be flexible”. It came a day after the country’s attorney general said parliament and the judiciary were reviewing legislation requiring a head covering. “Both parliament and the judiciary are working (on the issue)” and results will be presented “in a week or two”, said Mohammad Jafar Montazeri. The headscarf became obligatory for all women in Iran in April 1983, four years after the Islamic Revolution that overthrew the US-backed monarchy.

Hijab remains a highly sensitive issue

It remains a highly sensitive issue in a country where conservatives insist it should be compulsory, while reformists want to leave it up to individual choice. The hijab has become the subject of daily nationwide protests since the death of Mahsa Amini in police custody in September after she was reportedly arrested for wearing her headscarf incorrectly.

By Nadeen Ebrahim, CNN — Electronic music, strobe lights, glittered faces and hundreds of thousands of people in mixed-gender gyrations are all part of a new kind of ritual in Saudi Arabia that didn’t exist just three years ago. The kingdom’s Soundstorm music festival, which began in 2019, is back again for its fourth year and will start on Thursday. In just five years since Saudi Arabia lifted its ban on musical events, the kingdom’s concert scene has arguably outshined even that of Dubai, long seen as the Gulf region’s premier entertainment hub. The country that has been better known as the birthplace of Islam than a rave capital has gone through a tremendous makeover since Crown Prince Mohammed bin Salman (known as MBS) took control of the everyday running of the kingdom in 2017. Soundstorm is an eye-catching symbol of that change.

For three days every winter, hundreds of thousands of people from across Saudi Arabia and the region descend on a desert site outside the capital Riyadh to listen to some of the top Western and Arab acts . The rave is a manifestation of the ethos behind Saudi Arabia’s socioeconomic transformation, according to Anna Jacobs, a senior analyst at the Crisis Group think tank. “(It) is a particularly powerful example because it seeks to bring together young people and women from across Saudi Arabia and the world,” she said. David Guetta, Post Malone and Bruno Mars are just a few of the stars performing at this year’s event, which prides itself as being “the loudest festival in the region,” aiming to “amplify the unseen” as it supports local and international music in the Middle East. Tickets cost between 149 riyals (around $40) for a single day and 6,699 riyals (around $1,800 ) for a three-day VIP treatment. The festival reportedly welcomed 730,000 partygoers last year. By contrast, Las Vegas’ Electric Daisy Carnival, considered North America’s biggest dance music festival, had an attendance of over 400,000 this year.

An event like Soundstorm was inconceivable in the country just six years ago, when the notorious religious police would roam the streets and censure Saudis for mixing with the opposite sex or flouting social norms. But it is now part of a liberalization initiative spearheaded by MBS, the kingdom’s de facto ruler. It accompanies a series of steps to relax social rules, including lifting the ban on women’s driving and reining in the religious police.

Freida Pinto wears Elie Saab at the opening night gala screening of What’s Love Got To Do With It? at the Red Sea International Film Festival. Getty Images

by thenationalnews.com — Katy Gillett — While it’s only in its second year, Jeddah’s Red Sea International Film Festival has fast become an integral part of the annual celebrity circuit. Stars from across the world descended on the red carpet for opening night, showing off glamorous looks by international and regional designers. Priyanka Chopra and American dancer Julianne Hough wore gowns by Lebanese stalwart Tony Ward to the opening ceremony. Chopra donned an embroidered kaftan-style couture gown, while Hough dazzled in a custom tulle and feather trim halter dress. Freida Pinto chose Elie Saab for her eye-catching attire, a bright yellow gown with oversized, puffed sleeves from the Lebanese designer’s pre-fall 2022 collection.

Zuhair Murad looks were everywhere, as the namesake Lebanese fashion designer hit the red carpet himself. Egyptian singer Yousra, who was awarded with the Gold Yusr Honorary Award for her contribution to cinema, wore a golden, beaded halter neck gown with embellished cape and a clutch, while Lebanese actress Nadine Nassib Njeim chose a one-shoulder Zuhair Murad fitted draped satin gown from the atelier’s spring/summer 2022 line. Famed Lebanese presented Raya Abirached also chose Zuhair Murad in the form of a floor-length white cady kaftan with crystals and gold brooch beading from the ready-to-wear resort 2023 collection. Looking smart was Saudi filmmaker Fatima Al Banawi, who chose a crisp white lace suit with a trailing blazer by Lebanese designer Rami Kadi, paired with nude heels. Tunisian actress Dorra Zarrouk, meanwhile, donned a silver beaded gown with thigh-high slit and asymmetrical shoulders by lesser-known Beirut atelier Ziad Nakad. Designers from Saudi 100 Brands, in collaboration with the Saudi Fashion Commission, also dressed a number of celebrity guests.

سجعان قزي

@AzziSejean

قبل أن يُوقِّعَ بنجامين فرانكلين، البريطانيُّ الأصل، في تموز 1776 معاهدةَ الاستقلالِ الأميركيِّ ويُصبحَ أحدَ الآباءِ المؤسّسين للولاياتِ المتّحدة الأميركيّة، أعلن سنةَ 1760 بفَخرٍ وتباهٍ، وهو يُحيِّي الانتصارَ في معركة “الذئب” في سهول أبراهام الأميركية: “أنا بريطاني”. لكن ما لَبِثَ أن تخلّى عن جِنسيّتِه البريطانيّةِ وآمَن في وجدانه العميقِ بـأن أميركا صارت دولةً قائمةً بذاتِها، وعلى كل ساكنٍ فيها أن يَنسى أصولَه الأولى ويَضع عليها خطًّا أحمرَ قوميًّا لبناءِ الولاياتِ المتّحدة. ومنذ أن اعترف بالولاياتِ المتحدة الأميركيّة وطنًا نهائيًّا، أصبح ولاؤه الكاملُ “النهائيُّ والثابتُ” لبلدِه الجديد.

الاعترافُ بــ”لبنان وطنًا نهائيًّا” ليس مجرّدَ إقرارٍ سياسيٍّ لتمريرِ تسويةٍ دستوريّة لم يقْبلها حزبُ الله وسواه. هو شعورٌ فرديٌّ وجَماعيٌّ يَسكنُ وِجدانَنا ومشاعرَنا ولاوَعْيَنا أكان مذكورًا في الدستور أم غيرَ مذكور، وينتفض تلقائيًّا تجاه أيِّ خطرٍ يَتعرّضُ له لبنان. وهو شعورٌ استقلالي يَقطعُ الولاءَ نهائيًّا للبنان عن مواصلةِ الولاءِ لأصولِ غابرِ الزمانِ وأعراقٍ وقوميّاتٍ بائدة. أن أكونَ لبنانيًّا لا يعني الانغلاقَ على حضاراتِ الآخَرين وثقافاتِهم شرقًا وغربًا، فالإنسانُ أصبحَ مواطنًا عالميًّا. ولا يَعني بالمقابِل التَذرَّعَ بالانتماءِ إلى المحيط لتبريرِ الولاءِ له أو التواطؤِ معه مثلما يَحصُلُ بين جماعاتٍ لبنانيّةٍ وعددٍ من دولِ الـمِنطقة وكأنَّ لا استقلالَ ولا ميثاقَ ولا “طائفَ”، وكأنَّ الاعترافَ بلبنان بالنسبة للبعض كان مناورة للحصولِ على تعديلاتٍ دُستوريّة.

The Hill LAURA KELLY – Sen. Tom Cotton (R-Ark.) is blocking the Senate from voting on a bill aimed at providing close to $3 billion to victims of the Sept. 11, 2001, terrorist attacks, calling for victims of the 1983 bombings of the U.S. Marine Barracks in Beirut, Lebanon, to share in the compensation. The Republican senator opposed efforts by Senate Majority Leader Charles Schumer (D-N.Y.) last month to fast-track the “Fairness for 9/11 Families Act” to a vote on the Senate floor. The bill, H.R. 8987, passed the House in September with overwhelming bipartisan support, with 400 in support and 31 against. Cotton’s opposition presents an obstacle as the 117th Congress comes to a close and could force the bill’s sponsors to reintroduce it in the House in the next Congress, which begins in January. Cotton exercised his right to oppose the bill amid negotiations by Schumer to bring the legislation for a quick Senate floor vote through a process of unanimous consent, which can be employed when a bill is viewed as noncontroversial. “Senator Cotton will not allow a live [unanimous consent] of the bill as long as the Beirut bombing victims are left out,” James Arnold, press secretary for Cotton, told The Hill.

The Fairness for 9/11 Families Act was drafted to compensate 5,364 9/11 victims, spouses and dependents who were excluded from the U.S. Victims of State Sponsored Terrorism Fund (USVSSTF), established in 2015 as a way to compensate victims of terrorism who have secured final judgements in American courts against a state sponsor of terrorism. The more than 5,000 9/11 victims had earlier received compensation from the 2001 Victims Compensation Fund, but had argued they had been unfairly excluded from compensation from the USVSSTF. A report by the Government Accountability Office published in August 2021 found that the funds the 9/11 victims applied for through the USVSSTF amounted to about $2.7 billion. Lawmakers sought to provide this amount of money in a “catch-up payment” and drafted the Fairness for 9/11 Families Act, using leftover funds from the 2020 CARES Act, which was Congress’s COVID-19 relief package. But victims of the 1983 Beirut bombings are lobbying to also be acknowledged as missing out on payments provided by the USVSSTF.

by middleeasteye.net — Qatar shipped in around 1,500 foreign fans, mainly from Lebanon, to support the country’s national team in this year’s World Cup, according to a report by the New York Times. The fans, who were also said to have come from Egypt, Algeria and Syria, were all “ultras” – a term originating in Italy, but now used worldwide, to describe followers known for their fanatical support. Authorities in host country Qatar had made the decision to bring in the fans amid concerns that matches involving the national team would otherwise only attract small numbers of low-key Qatari supporters.

The NYT said the main contingent had come from Lebanon after a test event was arranged in Beirut in April where hundreds of Lebanese students and fans of Nejmeh, a local club, were recruited to make a video at a stadium recreating the kind of intense atmosphere found at games attended by ultras. After impressing officials in Qatar, the fans were offered free flights, accommodation, match tickets and food, plus a small stipend, to support Qatar at the World Cup games. The newspaper said the fans arrived in mid-October, around a month before the tournament began, to rehearse their support, including newly written chants.

Story by Ryan Phillips — thebiglead.com — Iran’s run at the 2022 World Cup came to an end Tuesday, as it fell to the United States 1-0 and failed to advance from group play. The Iranians played well in Qatar and just missed advancing. You would think the team’s countrymen would be devastated by their […]

By NAJIA HOUSSARI — arabnews.com — BEIRUT: Rival drug-dealing families using machine guns and rocket-propelled grenades brought mayhem to the streets of a southern Beirut neighborhood during a series of violent clashes on Tuesday. Lebanese troops were forced to step in to end the fighting in an area adjoining the Burj Al-Barajneh camp for Palestinian refugees after members of the two families became embroiled in a dispute over drug trafficking. Clashes initially broke out late on Monday when Hassan Jaafar, an alleged Syrian drug dealer with a Lebanese mother, began arguing with members of a rival family living in the same area, known as the Baalbekien neighborhood. Samir Abu Afash, an official of the Palestine Liberation Organization and the Fatah movement in Beirut, told Arab News that Jaafar started “shooting randomly in the direction of the camp” due to a dispute with other gunmen. “We feared that something was planned against the camp,” he said.

Abu Afash said that the PLO has pledged not to interfere in Lebanese affairs, or involve refugee camps in any disputes between the Palestinians and the Lebanese. “So we contacted the Lebanese army and Hezbollah to stop the clashes. But the fights continued throughout the night and intermittently until the army intervened in the morning and entered the haven Jaafar had formed years ago for his gang and arrested two people. Jaafar remains at large.” He added: “Hezbollah and the Amal Movement have repeatedly stressed that they do not provide cover for Jaafar, and when they do intervene, he usually lays low for a while. Jaafar was able to make a name for himself in the area and managed to bring in prohibited materials into the camp, including building materials for example, along with drugs.” The army is believed to have seized stolen items, including motorcycles, during the raid. Burj Al-Barajneh camp is home to over 35,000 Palestinian refugees, as well as some Syrians and Palestinians who fled from Syria.

By Ruiqi Chen, Editor at LinkedIn News — Netflix’s most recent bet on movie theaters has paid off. The streaming giant’s theatrical release of “Knives Out” sequel “Glass Onion: A Knives Out Mystery” earned US$9.2 million from Friday to Sunday, outperforming releases from Disney and Steven Spielberg, and making it the highest performing movie per-screen […]

By Razmig Bedirian — thenationalnews.com — Nancy Ajram will perform at Global Village next month. The Lebanese singer, known for her hits including Akhasmak Ah and Aah w Noss, will be taking to the Global Village Main Stage at 9pm on December 12. Ajram is an influential force in the Arab music industry and has previously been named as one of the top female Arab artists by Forbes. In 2009, she was selected by Unicef as the first female regional ambassador for the Mena region. Between 2013 and 2017, she served as a judge on MBC’s reality talent show Arab Idol. She also began serving as a coach on The Voice Kids: Ahla Sawt in 2016. This year, she collaborated with Marshmello on the single Sah Sah, proving her music has global reach. Ajram is the second Arab superstar to be billed for this year’s event. Myriam Fares, the Arab “Queen of the Stage”, performed at the venue this month.

Global Village opened for its 27th season on October 25 and will be running until April. Last season, the family-friendly attraction in Dubai welcomed a record 7.8 million visitors during the six months it was operational. The venue is famous for its pavilions, each themed according to a different nation or culture. This year, 27 pavilions representing more than 80 cultures are featured. More than 400 performers from around the world will be part of the event’s entertainment line-up. This includes more than 200 performances each night, such as Puttin’ on the Glitz, which brings jazz music to the theme park.