by alarabiya.net — President Joe Biden has nominated Elizabeth Richard, the former US ambassador to Lebanon, to become the State Department’s Coordinator …

by voanews.com -- The National Symphony Orchestra of Lebanon is feeling the effects of the financial crisis in the country. The crisis has left many people in Lebanon suffering from poverty and struggling to meet simple needs. The crisis worsened because of the COVID-19 pandemic. The August 2020 Beirut explosion also worsened the crisis. The explosion killed more than 215 people and damaged parts of the city, including the building where the orchestra meets. As the value of Lebanese money fell, the 100 or so musicians in the orchestra watched the value of their pay fall from $3,000 to around $200. Most foreign musicians left the orchestra and the country. It is not clear how long the orchestra can keep going.

Cultural loss

Lubnan Baalbaki is the conductor of the orchestra, someone who leads the musicians as they are playing. "We used to do very big productions that would cover the entire classical repertoire. Now it's very difficult," Baalbaki said. The pay of those who remain now covers little more than the price of fuel to drive to weekly practices. This has forced Baalbaki to reduce the number of shows from around 30 a year to just a few. This follows a wider loss of Lebanon’s cultural place and activities due to the crisis and the pandemic. One of those loses is summer holiday cultural events. They were seen as a guiding light of the arts in the area. They included famous musicians and Arab celebrities.

By Nana Asfour -- nytimes.com --  Etel Adnan, an influential Lebanese American writer who wrote a seminal novel about the Lebanese civil war and achieved acclaim in her later years as a visual artist, died on Sunday in Paris. She was 96. Her death was confirmed by her longtime partner and only immediate survivor, Simone Fattal, who did not specify the cause. For much of her life, Ms. Adnan, who grew up in Lebanon and spent several decades in California, was an international literary figure, her lyrical prose reverberating with generations of Middle Eastern writers. Her most widely acclaimed novel, “Sitt Marie Rose,” (1978) based on a true story, centers on a kidnapping during Lebanon’s civil war and is told from the perspective of the civilians enduring brutal political conflict. It has become a classic of war literature, translated into 10 languages and taught in American classrooms.

Ms. Adnan also wrote numerous collections of poetry. Her latest, “Shifting the Silence,” was published in October 2020. Reviewing her previous collection, “Night,” for The New York Times Book Review, Benjamin Hollander described it as “a meditative heir to Nietzsche’s aphorisms, Rilke’s ‘Book of Hours’ and the verses of Sufi mysticism,” and “an intricate thread of reflections on pain and beauty.” In her poetry, novels and nonfiction, Ms. Adnan often wrote about political discord and violence. Her books on the Middle East, like “The Arab Apocalypse,” a poetry collection from 1980; “Of Cities and Women (Letters to Fawwaz),” from 1993; and “In the Heart of the Heart of Another Country” (2005), address the region from sociological, philosophical and historical perspectives. Ms. Adnan caught the attention of the international art world in her late 80s, when her paintings were included in Documenta 13, the contemporary art exhibition in Kassel, Germany, in 2012. The invitation to the show resulted from a serendipitous visit by Carolyn Christov-Bakargiev, Documenta 13’s director, to Lebanon, where she saw an exhibit of Ms. Adnan’s geometric and vibrantly colored abstract work on generally small canvases.

الردود والردود المضادة … والردود على هذه الاخيرة المردودة … في تحقيق انفجار المرفأ اصبحت مثل “المخمس المردود” في الزجل مع الفرق …